The Midlands has a wealth of art galleries and museums hosting a range of fantastic exhibitions - both permanent and temporary. Here's a selection of what's showing across the region.
THE REFLECTED SELF: PORTRAIT MINATURES, 1550 - 1850
Across a period exceeding 300 years, portrait miniature paintings created in Britain performed numerous functions. Not only did they serve as emblems of love and loyalty, they were also used as markers of royal favour and exchanged as diplomatic gifts between foreign courts.
Compton Verney’s new exhibition celebrates these exquisitely painted portable portraits, bringing together artwork from the gallery’s own collection with important loans from the Dumas Egerton Trust Collection and private lenders.
The exhibition also includes specially commissioned films, bringing to life the highly personal nature of the portraits. Work by contemporary artists - demonstrating the miniatures’ ongoing relevance and ability to captivate - also features.
The flagship exhibition of the International Festival of Glass, the Biennale showcases some of the world-class glass currently being made in the UK and features work by 121 selected artists.
The return of the People’s Prize Award allows families to get involved by voting for their favourite piece, while the Young Collectors’ Award sees the winning child receive a piece of contemporary glass to start their very own collection.
Autumn visitors to the Arboretum are invited to take an immersive journey back in time via this fascinating World War Two exhibition.
Nineteen forty-four was, of course, the year of the D-Day landings in Normandy. Back in Britain, the war continued to dictate the way in which people lived their lives...
The exhibition revolves around the wartime home of the Ball family, providing an insight into life on the home front during what was to prove a pivotal year in the long-running conflict.
This popular returning exhibition, presented by the Contemporary Glass Society, showcases a selection of work by 20-plus talented artists employing both traditional and modern methods of glass making. Processes including hot glass, casting, kiln formed, pâte de verre, lampworking, neon and stained glass are featured, with the works on display ‘challenging and exploring the boundaries of glass’.
A thought-provoking and, for visitors of a certain vintage, memory-stirring exhibition, No Going Back is presented by North Staffs Miners Wives and revisits the Miners’ Strike of 1984/85.
Featuring photographs and memorabilia recalling an event which radically changed Britain’s industrial landscape forever, the display will remain available to view until early March, its closure coinciding with the 40th anniversary of the end of the strike.
From the master planning of the world’s most significant football stadiums, to the innovative materials used in modern-day football boots, this international touring exhibition takes a look at the ways in which design has been used to push ‘the beautiful game’ to its technical and emotional limits.
Alongside the exhibition, the gallery is screening Zidane: A 21st Century Portrait. Produced by contemporary artists Douglas Gordon and Philippe Parreno, the film follows French football star Zinédine Zidane in real time over the course of a single match during 2005.
The film will be screened from Saturday 29 June to Sunday 20 October. Pre-booking is advised.
With its themes ranging from mythology and internal contemplation to external and political expression, A Spirit Inside comprises a selection of works produced by women and non-binary artists across a period of 100-plus years.
The featured pieces have been drawn from the Women’s Art Collection - Europe’s biggest collection of work by female artists - and The Ingram Collection, one of the UK’s best collections of modern and contemporary British art.
Artists whose work is featured in the show include Leonora Carrington, Winifred Nicholson, Bridget Riley, Man Fung Yi and Permindar Kaur.
A major solo exhibition, Dion Kitson’s Rue Britannia sees the artist remodelling everyday objects to isolate and elevate ubiquitously ‘ordinary’ sights, such as a burst football or discarded plastic bottle.
The exhibition also includes Council House Of Kitson - a new installation featuring a pebble-dashed façade and footage documenting Dion’s father.
Darker Than Blue is Claudette Johnson’s first solo show in the Midlands.
The Turner Prize nominee’s work often takes the human figure as its subject and in particular explores the experience of Black women - including herself.
“It’s wonderful that Claudette has been nominated and recognised for her incredible work,” says the Barber’s director, Professor Jennifer Powell. “It is really powerful, with striking and confident line work - and her figures always hold your gaze.
“In the show there will be a sound installation by Trevor Mathison, who’s a contemporary sound artist. Trevor has created a soundscape that combines aspects of the Barber experience - the echoes and sounds of the galleries - with the sound of Claudette working in the studio.
“It’s the first time that Claudette and Trevor have ever worked together, and it’s the first time that Claudette has had this sound aspect in an exhibition.”
Herbert Art Gallery & Museum’s free-to-enjoy summer exhibition comes complete with giant flowers, bursts of rainbow colours, and sounds and smells that awaken inner tranquillity.
Joy...Inspired By Nature sees acclaimed artists Nicola Richardson and Marianne Taviner create ‘an eye-popping wonderland that playfully reconnects us to nature’.
The exhibition features two special commissions: a scentscape by Gemma Costin and a soundscape by Ashley James Brown. Local artist Abeda Begum joins the team in crafting the final installation.
Czech multimedia artist Tereza Buskova’s Hidden Mothers takes its name from a commonly used practice in Victorian-era portrait photography. When mums were having photos taken of their infants - who they needed to keep still during the necessary long exposures - they would sit nearby but cover themselves with a cloth to ensure that they didn’t appear in the image themselves. In so doing, they became known as ‘hidden mothers’.
Tereza’s exhibition aims to provide a platform from which to empower women, ‘encouraging mothers to step out from the shadows and reclaim their importance in society’.
Spreading seamlessly from Compton Verney’s galleries into the surrounding landscape and featuring more than 40 works - including some which have rarely been seen in the UK - Nature Study brings together paintings, textile pieces, sculptures and works on paper made across Louise Bourgeois’ seven-decade-long career.
As well as providing an opportunity for visitors simply to revel in her output, the exhibition also explores numerous important themes in the artist’s work. These include: the importance of memory; the landscape as a metaphor for the mind and body; and the cycles of time and nature.
Portuguese artist Carlos Bunga is best known for his large-scale and site-specific architectural installations, which he makes from materials such as tape, cardboard and household paint. For this major exhibition of his most recent art, the Barcelona-based Bunga has created a work especially for the gallery. Composed of cardboard columns and other architectural forms, the installation has been made for the venue’s street-facing window box, a temporary environment alluding to the often-precarious nature of physical constructs.
Image: Carlos Bunga, Nomad, House no. 17, 2022, varnish on plasterboard and latex on wood. Photo: Joaquín Cortes y Román Lores. ‘Against the Extravagance of Desire’, Palacio de Cristal, MNCARS, Madrid, Spain, 8 April – 4 September 2022.
HIDDEN VOICES
Fitting in nicely (just as you’d expect!) with the Shakespeare Birthplace Trust’s (SBT) multi-year Women Who Made Shakespeare theme, Hidden Voices focuses on the important females in the life of the bard, exploring their impact as mothers, wives, widows, businesswomen and managers of a busy household at New Place, the site of the grandest house in Jacobean Stratford-upon-Avon.
The exhibition also seeks to dispel many of the myths which have persisted across the centuries: that William didn’t love wife Anne, because he left her the ‘second best bed’; that daughter Susanna was his favourite; that younger daughter Judith was illiterate; and that because Shakespeare’s mother Mary was a farmer’s daughter, she was less upwardly mobile.
Numerous objects from SBT’s collection are featured in the exhibition, including artefacts from the late 16th and early 17th centuries.
Seventy-five years of collecting is being celebrated in this brand-new and long-running exhibition.
Featuring a selection of objects dating from the founding of the Herbert Art Gallery in 1949 through to the present day, the show is being presented across four of the Herbert’s rooms.
Featured objects and curiosities include a 4.5 billion-year-old meteorite, a Covid testing kit, LS Lowry’s famous painting of Ebbw Vale and a number of items being displayed for the very first time.
DIPPY IN COVENTRY: THE NATION'S FAVOURITE DINOSAUR
The Natural History Museum’s iconic Diplodocus cast - life-size, made of plaster-of-paris, and affectionately referred to as Dippy - has taken up residence in Coventry for an initial period of three years.
Diplodocus carnegii, to give it its official name, lived during the Late Jurassic period, somewhere between 155 and 145 million years ago. Huge, plant-eating dinosaurs with long, whip-like tails, they grew to about 25 metres in length and are believed to have weighed around 15 tonnes, making them three tonnes heavier than a London double-decker bus.
Dippy first arrived in London in 1905 and recently visited Birmingham as part of an eight-city tour that attracted a record-breaking two million visitors.
The Midlands has a wealth of art galleries and museums hosting a range of fantastic exhibitions - both permanent and temporary. Here's a selection of what's showing across the region.
THE REFLECTED SELF: PORTRAIT MINATURES, 1550 - 1850
Across a period exceeding 300 years, portrait miniature paintings created in Britain performed numerous functions. Not only did they serve as emblems of love and loyalty, they were also used as markers of royal favour and exchanged as diplomatic gifts between foreign courts.
Compton Verney’s new exhibition celebrates these exquisitely painted portable portraits, bringing together artwork from the gallery’s own collection with important loans from the Dumas Egerton Trust Collection and private lenders.
The exhibition also includes specially commissioned films, bringing to life the highly personal nature of the portraits. Work by contemporary artists - demonstrating the miniatures’ ongoing relevance and ability to captivate - also features.
Image: Simon Bevan
Compton Verney, Warwickshire, Saturday 21 September - Sunday 23 February
BRITISH GLASS BIENNALE 2024
The flagship exhibition of the International Festival of Glass, the Biennale showcases some of the world-class glass currently being made in the UK and features work by 121 selected artists.
The return of the People’s Prize Award allows families to get involved by voting for their favourite piece, while the Young Collectors’ Award sees the winning child receive a piece of contemporary glass to start their very own collection.
Image: Verity Pulford_Sea Collection Bottles
Furnace Auditorium, Glasshouse Arts Centre, Stourbridge, until Saturday 28 September
THE YEAR WAS 1944
Autumn visitors to the Arboretum are invited to take an immersive journey back in time via this fascinating World War Two exhibition.
Nineteen forty-four was, of course, the year of the D-Day landings in Normandy. Back in Britain, the war continued to dictate the way in which people lived their lives...
The exhibition revolves around the wartime home of the Ball family, providing an insight into life on the home front during what was to prove a pivotal year in the long-running conflict.
National Memorial Arboretum, Staffordshire, until Sunday 3 November
NEW HORIZONS
This popular returning exhibition, presented by the Contemporary Glass Society, showcases a selection of work by 20-plus talented artists employing both traditional and modern methods of glass making. Processes including hot glass, casting, kiln formed, pâte de verre, lampworking, neon and stained glass are featured, with the works on display ‘challenging and exploring the boundaries of glass’.
Stourbridge Glass Museum, until Saturday 16 November
NO GOING BACK
A thought-provoking and, for visitors of a certain vintage, memory-stirring exhibition, No Going Back is presented by North Staffs Miners Wives and revisits the Miners’ Strike of 1984/85.
Featuring photographs and memorabilia recalling an event which radically changed Britain’s industrial landscape forever, the display will remain available to view until early March, its closure coinciding with the 40th anniversary of the end of the strike.
The Potteries Museum & Art Gallery, Stoke-on-Trent, until Sunday 2 March
FOOTBALL: DESIGNING THE BEAUTIFUL GAME
From the master planning of the world’s most significant football stadiums, to the innovative materials used in modern-day football boots, this international touring exhibition takes a look at the ways in which design has been used to push ‘the beautiful game’ to its technical and emotional limits.
Alongside the exhibition, the gallery is screening Zidane: A 21st Century Portrait. Produced by contemporary artists Douglas Gordon and Philippe Parreno, the film follows French football star Zinédine Zidane in real time over the course of a single match during 2005.
The film will be screened from Saturday 29 June to Sunday 20 October. Pre-booking is advised.
Wolverhampton Art Gallery, until Sunday 1 September
A SPIRIT INSIDE
With its themes ranging from mythology and internal contemplation to external and political expression, A Spirit Inside comprises a selection of works produced by women and non-binary artists across a period of 100-plus years.
The featured pieces have been drawn from the Women’s Art Collection - Europe’s biggest collection of work by female artists - and The Ingram Collection, one of the UK’s best collections of modern and contemporary British art.
Artists whose work is featured in the show include Leonora Carrington, Winifred Nicholson, Bridget Riley, Man Fung Yi and Permindar Kaur.
Compton Verney, Warwickshire, until Sunday 1 September
DION KITSON: RUE BRITANNIA
A major solo exhibition, Dion Kitson’s Rue Britannia sees the artist remodelling everyday objects to isolate and elevate ubiquitously ‘ordinary’ sights, such as a burst football or discarded plastic bottle.
The exhibition also includes Council House Of Kitson - a new installation featuring a pebble-dashed façade and footage documenting Dion’s father.
Ikon Gallery, Birmingham, until Sunday 8 September
CLAUDETTE JOHNSON: DARKER THAN BLUE
Darker Than Blue is Claudette Johnson’s first solo show in the Midlands.
The Turner Prize nominee’s work often takes the human figure as its subject and in particular explores the experience of Black women - including herself.
“It’s wonderful that Claudette has been nominated and recognised for her incredible work,” says the Barber’s director, Professor Jennifer Powell. “It is really powerful, with striking and confident line work - and her figures always hold your gaze.
“In the show there will be a sound installation by Trevor Mathison, who’s a contemporary sound artist. Trevor has created a soundscape that combines aspects of the Barber experience - the echoes and sounds of the galleries - with the sound of Claudette working in the studio.
“It’s the first time that Claudette and Trevor have ever worked together, and it’s the first time that Claudette has had this sound aspect in an exhibition.”
The Barber Institute, University of Birmingham, until Sunday 15 September
Image © Claudette Johnson / photo: Andy Keate (detail)
JOY... INSPIRED BY NATURE
Herbert Art Gallery & Museum’s free-to-enjoy summer exhibition comes complete with giant flowers, bursts of rainbow colours, and sounds and smells that awaken inner tranquillity.
Joy...Inspired By Nature sees acclaimed artists Nicola Richardson and Marianne Taviner create ‘an eye-popping wonderland that playfully reconnects us to nature’.
The exhibition features two special commissions: a scentscape by Gemma Costin and a soundscape by Ashley James Brown. Local artist Abeda Begum joins the team in crafting the final installation.
Herbert Art Gallery & Museum, Coventry, until Sunday 22 September
TREZA BUSKOVA: HIDDEN MOTHERS
Czech multimedia artist Tereza Buskova’s Hidden Mothers takes its name from a commonly used practice in Victorian-era portrait photography. When mums were having photos taken of their infants - who they needed to keep still during the necessary long exposures - they would sit nearby but cover themselves with a cloth to ensure that they didn’t appear in the image themselves. In so doing, they became known as ‘hidden mothers’.
Tereza’s exhibition aims to provide a platform from which to empower women, ‘encouraging mothers to step out from the shadows and reclaim their importance in society’.
Midlands Arts Centre (MAC), Birmingham, until Sunday 29 September
LOUISE BOURGEOIS: NATURE STUDY
Spreading seamlessly from Compton Verney’s galleries into the surrounding landscape and featuring more than 40 works - including some which have rarely been seen in the UK - Nature Study brings together paintings, textile pieces, sculptures and works on paper made across Louise Bourgeois’ seven-decade-long career.
As well as providing an opportunity for visitors simply to revel in her output, the exhibition also explores numerous important themes in the artist’s work. These include: the importance of memory; the landscape as a metaphor for the mind and body; and the cycles of time and nature.
Compton Verney, Warwickshire, until Sunday 6 October
Les Fleurs, 2009 Photo Christopher Burke, © The Easton Foundation/Licensed by DACS, UK (2) - detail
CARLOS BUNGA
Portuguese artist Carlos Bunga is best known for his large-scale and site-specific architectural installations, which he makes from materials such as tape, cardboard and household paint. For this major exhibition of his most recent art, the Barcelona-based Bunga has created a work especially for the gallery. Composed of cardboard columns and other architectural forms, the installation has been made for the venue’s street-facing window box, a temporary environment alluding to the often-precarious nature of physical constructs.
New Art Gallery, Walsall, until Sunday 27 October
Image: Carlos Bunga, Nomad, House no. 17, 2022, varnish on plasterboard and latex on wood. Photo: Joaquín Cortes y Román Lores. ‘Against the Extravagance of Desire’, Palacio de Cristal, MNCARS, Madrid, Spain, 8 April – 4 September 2022.
HIDDEN VOICES
Fitting in nicely (just as you’d expect!) with the Shakespeare Birthplace Trust’s (SBT) multi-year Women Who Made Shakespeare theme, Hidden Voices focuses on the important females in the life of the bard, exploring their impact as mothers, wives, widows, businesswomen and managers of a busy household at New Place, the site of the grandest house in Jacobean Stratford-upon-Avon.
The exhibition also seeks to dispel many of the myths which have persisted across the centuries: that William didn’t love wife Anne, because he left her the ‘second best bed’; that daughter Susanna was his favourite; that younger daughter Judith was illiterate; and that because Shakespeare’s mother Mary was a farmer’s daughter, she was less upwardly mobile.
Numerous objects from SBT’s collection are featured in the exhibition, including artefacts from the late 16th and early 17th centuries.
Shakespeare’s Birthplace Trust, Stratford-upon-Avon, until Sunday 3 November
COLLECTING COVENTRY
Seventy-five years of collecting is being celebrated in this brand-new and long-running exhibition.
Featuring a selection of objects dating from the founding of the Herbert Art Gallery in 1949 through to the present day, the show is being presented across four of the Herbert’s rooms.
Featured objects and curiosities include a 4.5 billion-year-old meteorite, a Covid testing kit, LS Lowry’s famous painting of Ebbw Vale and a number of items being displayed for the very first time.
Herbert Art Gallery & Museum, Coventry, until Sunday 27 April 2025
DIPPY IN COVENTRY: THE NATION'S FAVOURITE DINOSAUR
The Natural History Museum’s iconic Diplodocus cast - life-size, made of plaster-of-paris, and affectionately referred to as Dippy - has taken up residence in Coventry for an initial period of three years.
Diplodocus carnegii, to give it its official name, lived during the Late Jurassic period, somewhere between 155 and 145 million years ago. Huge, plant-eating dinosaurs with long, whip-like tails, they grew to about 25 metres in length and are believed to have weighed around 15 tonnes, making them three tonnes heavier than a London double-decker bus.
Dippy first arrived in London in 1905 and recently visited Birmingham as part of an eight-city tour that attracted a record-breaking two million visitors.
Herbert Art Gallery & Museum, Coventry, until Tues 21 February 2026