The City of Birmingham Symphony Orchestra’s Centre Stage season continues in fine style this month with two concerts that give audiences the chance to experience the artistry of the musicians in an intimate setting... The first concert, on the 16th, showcases the best of 20th-century British music in a complimentary combination of the flute and harp. This is followed six days later by a powerful performance of all-American string repertoire. Both concerts have a 2pm start-time.
Rhapsody In Blue, widely considered to be one of the great American masterpieces of classical music, is also one of the most hastily composed, with George Gershwin setting about producing it a mere 36 days before its premiere.
His reason for working at such a frenetic pace? He didn’t even know he was supposed to be writing it!...
While relaxing one night with his brother, Ira, and lyricist Buddy DeSylva, he found out from a newspaper that he was apparently contributing to a concert of all-new music which was being performed five weeks later to celebrate the anniversary of former president Abraham Lincoln’s birthday.
And so Gershwin set to work on what was to become one of the most celebrated symphonic pieces of the 20th century...
The pianist for this Symphony Hall performance of the work is Stewart Goodyear...
An exploration of the varied sound world of the string orchestra lies at the heart of the Orchestra of the Swan’s opening concert of 2026.
Alongside performances of Mozart’s Eine Kleine Nachtmusik and Tchaikovsky’s Serenade For Strings, Night Music also features Richter’s On The Nature Of Daylight and Piazzolla’s Double Concerto For Accordion, Guitar And Strings, for which guitarist Craig Ogden and accordion player Miloš Milivojević (pictured) join the orchestra. The concert has a 3pm start-time.
“From the smallest forces, duos, trios and quartets,” explain the London Handel Players, “our ensemble expands to flute and recorder with strings and harpsichord to present a vast repertoire of gems from the 17th and 18th centuries.”
Currently celebrating their 25th season of concert performances, the Players’ Huntingdon Hall programme sees them performing compositions by, among others, Telemann, Hotteterre, Rameau, JS Bach, and of course, Handel.
Much-loved period-instrument ensemble The Orchestra of the Age of Enlightenment head to Coventry late this month to present an evening of music both written and inspired by Mozart.
The programme features the composer’s A Little Night Music and Clarinet Concerto swan-song, presented alongside an elegant Overture from Arriaga (aka the Spanish Mozart) and an entertaining Divertimento from Michael Haydn.
Katherine Spencer (pictured) features on clarinet.
Kazakhstan-born Alim rose to international prominence after the Leeds International Piano Competition in 2021, during which his performance of Rachmaninov’s Rhapsody On A Theme Of Paganini - accompanied by the Royal Liverpool Philharmonic Orchestra - secured him first prize.
Two years later, he won the hearts of Potteries audiences when he appeared in the Stoke-on-Trent Classics series, his masterful performance ensuring that any and all return visits to the region would be eagerly anticipated.
This latest Stoke stop-off sees Alim performing works by Schubert (Moments Musicaux and Wanderer Fantasy) and Liszt (Sonata in B minor).
Polina Osetinskaya is riding on the crest of a wave professionally, having recently given a series of triumphant recitals at venues across Europe, an engagement that saw her perform three of Prokofiev’s piano concertos in a single concert. Accompanist to revered Soviet-born Israeli violinist Maxim Vengerov, she visits Shrewsbury for this Shropshire Music Trust concert prior to appearing with him at the Barbican Centre in London.
BIRMINGHAM BACH CHOIR: MENDELSSOHN'S HYMN OF PRAISE
One of the city’s oldest musical groups here invites enthusiasts to join them in an afternoon workshop and informal performance of Mendelssohn’s Hymn Of Praise, which premiered in 1840.
“We will be focused, of course, on the cantata part,” says Birmingham Bach Choir’s conductor, Paul Spicer, “singing in English, for which Mendelssohn assembled passages from Luther’s translation of the Bible that show the progression of light to darkness.
With fabulous choruses, soprano and tenor solos, and the familiar Now Thank We All Our God, this will be a rewarding sing for all who come.”
CBSO: CENTRE STAGE
The City of Birmingham Symphony Orchestra’s Centre Stage season continues in fine style this month with two concerts that give audiences the chance to experience the artistry of the musicians in an intimate setting... The first concert, on the 16th, showcases the best of 20th-century British music in a complimentary combination of the flute and harp. This is followed six days later by a powerful performance of all-American string repertoire. Both concerts have a 2pm start-time.
CBSO Centre, Birmingham, Thursday 22 January
CBSO: KAZUKI CONDUCTS RHAPSODY IN BLUE
Rhapsody In Blue, widely considered to be one of the great American masterpieces of classical music, is also one of the most hastily composed, with George Gershwin setting about producing it a mere 36 days before its premiere.
His reason for working at such a frenetic pace? He didn’t even know he was supposed to be writing it!...
While relaxing one night with his brother, Ira, and lyricist Buddy DeSylva, he found out from a newspaper that he was apparently contributing to a concert of all-new music which was being performed five weeks later to celebrate the anniversary of former president Abraham Lincoln’s birthday.
And so Gershwin set to work on what was to become one of the most celebrated symphonic pieces of the 20th century...
The pianist for this Symphony Hall performance of the work is Stewart Goodyear...
Symphony Hall, Birmingham, Wednesday 21 January
ORCHESTRA OF THE SWAN: NIGHT MUSIC
An exploration of the varied sound world of the string orchestra lies at the heart of the Orchestra of the Swan’s opening concert of 2026.
Alongside performances of Mozart’s Eine Kleine Nachtmusik and Tchaikovsky’s Serenade For Strings, Night Music also features Richter’s On The Nature Of Daylight and Piazzolla’s Double Concerto For Accordion, Guitar And Strings, for which guitarist Craig Ogden and accordion player Miloš Milivojević (pictured) join the orchestra. The concert has a 3pm start-time.
Warwick Hall, Sunday 25 January
LONDON HANDEL PLAYERS
“From the smallest forces, duos, trios and quartets,” explain the London Handel Players, “our ensemble expands to flute and recorder with strings and harpsichord to present a vast repertoire of gems from the 17th and 18th centuries.”
Currently celebrating their 25th season of concert performances, the Players’ Huntingdon Hall programme sees them performing compositions by, among others, Telemann, Hotteterre, Rameau, JS Bach, and of course, Handel.
Huntingdon Hall, Worcester, Sunday 25 January
THE ORCHESTRA OF THE AGE OF ENLIGHTENMENT
Much-loved period-instrument ensemble The Orchestra of the Age of Enlightenment head to Coventry late this month to present an evening of music both written and inspired by Mozart.
The programme features the composer’s A Little Night Music and Clarinet Concerto swan-song, presented alongside an elegant Overture from Arriaga (aka the Spanish Mozart) and an entertaining Divertimento from Michael Haydn.
Katherine Spencer (pictured) features on clarinet.
Warwick Arts Centre, Coventry, Wednesday 28 January
ALIM BEISEMBAYEV PIANO RECITAL
Kazakhstan-born Alim rose to international prominence after the Leeds International Piano Competition in 2021, during which his performance of Rachmaninov’s Rhapsody On A Theme Of Paganini - accompanied by the Royal Liverpool Philharmonic Orchestra - secured him first prize.
Two years later, he won the hearts of Potteries audiences when he appeared in the Stoke-on-Trent Classics series, his masterful performance ensuring that any and all return visits to the region would be eagerly anticipated.
This latest Stoke stop-off sees Alim performing works by Schubert (Moments Musicaux and Wanderer Fantasy) and Liszt (Sonata in B minor).
Stoke Repertory Theatre, Stoke-on-Trent, Thursday 29 January
POLINA OSETINSKAYA
Polina Osetinskaya is riding on the crest of a wave professionally, having recently given a series of triumphant recitals at venues across Europe, an engagement that saw her perform three of Prokofiev’s piano concertos in a single concert. Accompanist to revered Soviet-born Israeli violinist Maxim Vengerov, she visits Shrewsbury for this Shropshire Music Trust concert prior to appearing with him at the Barbican Centre in London.
St Chad’s Church, Shrewsbury, Friday 30 January
BIRMINGHAM BACH CHOIR: MENDELSSOHN'S HYMN OF PRAISE
One of the city’s oldest musical groups here invites enthusiasts to join them in an afternoon workshop and informal performance of Mendelssohn’s Hymn Of Praise, which premiered in 1840.
“We will be focused, of course, on the cantata part,” says Birmingham Bach Choir’s conductor, Paul Spicer, “singing in English, for which Mendelssohn assembled passages from Luther’s translation of the Bible that show the progression of light to darkness.
With fabulous choruses, soprano and tenor solos, and the familiar Now Thank We All Our God, this will be a rewarding sing for all who come.”
Selly Oak Methodist Church, Birmingham, Saturday 31 January