Proof that you can’t keep a good story down, The Karate Kid first hit cinema screens more than 40 years ago, in 1984. A 2010 remake of the film kept the story alive, and then came this musical version – a fresh interpretation of a heart-warming tale of triumph over adversity.

This is a yarn as old as time, with goodies and baddies, hope and despair, twists and turns, and it’s none the worse for that. The Karate Kid: The Musical translates the emotion, energy and iconic scenes of the original film into a wonderful onstage spectacle, one that is sure to entertain. The current 2026 tour is its UK première, and its reception so far says it all - it has been greeted with universally rave reviews.

Moving to a new town, teenager Daniel (Gino Ochello) struggles to fit in and is targeted by a gang of bullies led by Johnny (Joe Simmons) - star karate student of the Cobra Kai dojo. Cobra Kai, led by army veteran John Kreese (Matt Mills), practise karate based on attack and the humiliation of others. Their motto - Strike First, Strike Hard, No Mercy - says it all. Mr Miyagi (Adrian Pang), the calm and slightly mysterious maintenance man at Daniel’s block of flats - and a master of karate - teaches the young man that the martial-art discipline is not in fact about violence but is based on self-control, balance and respect...

While the plot remains faithful to that of the original film, the songs in this production add a new layer of depth to the tale. The familiar scenes are transformed into upbeat and visually striking musical numbers, using a rousing blend of martial arts and dance. The pace is fast, on occasion perhaps a little too fast, as the treatment of some scenes feels rather rushed, but the cast keeps the energy high throughout and the performances are precise, accomplished and spirited in equal measure.

Gino Ochello captures perfectly Daniel’s developing self-confidence as he evolves from an insecure victim into a determined and poised young man. Adrian Pang steals the show as Mr Miyagi - a demanding mentor whose high standards seem impossible to attain, but who shows more than the occasional glimpse of warmth and genuine humanity.

The pictures painted onstage are a true feast for the eyes. The clever use of screens to transform the set into the different locations in Daniel’s life is particularly effective, as is the use of a chorus of silent, subdued dancers, who appear with an almost ghostly presence at crucial moments to perform routines featuring more than a hint of contemporary ballet.

This musical has it all - sadness, despair and animosity combine with very many moments of humour, comedy and ultimately a healthy dose of joy and jubilation. Karate Kid: The Musical is hugely enjoyable - a riot of colour and music and the ultimate feel-good show.

Four stars

The Karate Kid: The Musical was reviewed by Rachel Smith on Tuesday 21 July at The Alexandra, Birmingham and shows until Saturday 25 July