Riverdance 30: The New Generation twirled, stomped and tip-tapped its way onto the stage at The Alexandra last night in glorious whirls of colour, energy and music.

Michael Flatley’s original concept has come a very long way since its first incarnation as the Eurovision Song Contest interval act more than 30 years ago in Dublin. Flatley was credited then with reinventing traditional Irish dancing; whatever he did, the results have been phenomenally successful and adored by audiences all over the world.

Riverdance 30 is a story of two acts, tracing humankind’s development as they learn about and explore the world. This narrative arc links 18 different scenes, mixing instrumental music, song and dance. The four musicians who appear on stage are phenomenal and deserve particular credit for their accomplished performances.

The music ranges over many styles, from the melodies played on traditional instruments, evocative of ancient times, to the upbeat jazz as our heroes encounter the New World of America. And, of course, there’s the constant accompaniment of the exciting, primeval drumbeats which echo the rhythmic beat of the dancers’ feet.

The singing is beautiful, though on occasion the song lyrics are somewhat clichéd and, arguably, cannot be considered the strongest elements of the show. It is, without doubt, the dancing that’s the star, and this is surely how it should be; this is, after all, what audiences come to see.

And the dancing does not disappoint. In the traditional Riverdance-style scenes, all the beloved elements are there; the compelling rhythms, the precise footwork, the high-kicks and spirited leaps. It is pure delight for fans of a dance-style that has become an art form in its own right. Other scenes, perhaps somewhat a mixed bag, incorporate different styles. Elements of flamenco and Cossack dancing feature, but a particular highlight is the tap-meets-Irish routine set in downtown Brooklyn. At the same time both joyous and super-cool, this scene was one of two that stole the show. The second show-stealer was the Riverdance finale - there can be few who can fail to be enchanted by the sight and sound of so many dancers performing in perfect harmony.

Riverdance 30 is a true feast for the eyes and ears, and the dramatic sets and beautiful costumes are the perfect backdrop to the top-class dancing. This show delighted the audience at The Alexandra, who greeted the performers with whoops and cheers. Fans of Flatley’s original concept will not be disappointed; this is surely a show that will continue run and run.

Four stars

Riverdance 30: The New Generation was reviewed by Rachel Smith on Thursday 4 September at Birmingham theatre The Alexandra, where it shows until Tuesday 9 September.