Beloved Scottish nanny Euphegenia Doubtfire hits the road next year, as her West End and Broadway musical Mrs. Doubtfire tours the UK for the first time - kicking off at Birmingham Hippodrome in August 2026.

What’s On spoke to Gabriel Vick, who plays Daniel Hillard and his alter ego - Mrs Doubtfire herself - to discover more about the show’s quick costume changes and slapstick scenes…

Gabriel - You’ve just finished your last week of shows at London’s Shaftesbury Theatre, after first performing there two years ago. How does that feel?

It's been a lovely ride. We were very lucky, because we didn't know how well it would go down here! I didn't move my things into my dressing room until after the reviews came out, because you never know... It had a weird Covid opening on Broadway, so we didn't know how the show was going to go down. Thankfully, Manchester loved it and then London loved it… I'm really excited about the tour! It's so much easier - if you're going to London you've got to get a hotel, you've got to book your travel, and that makes it three times more expensive, so when we come to your local theatre, it's that bit easier. I think people will be really excited and really up for it. She’s such a beloved character, and I think they're gonna go wild. 

I spent a long time in Musical Theater, but this is a sort of breakthrough role for me. And with my skill set, it feels right to keep the show going. I derive so much joy from it, and from the audience’s reaction it seemed a bit of a no-brainer to do the role again - after a break, because my body is falling apart!

Do you have an opportunity to play with the role and improvise on stage?

The audience is always like the twelfth man, like a football crowd - footballers always say “We're nothing without our audience” - it's the same. The show can be longer, depending on how much the audience reacts. There are moments where I can improvise - I'll put new voices in. Maybe we'll think of some famous Brummies to put in when we come to Birmingham! The Peaky Blinders is an obvious one… 

There are moments where I interact with the audience - we always get different interactions - it makes it feel special. That's the beauty of live performance. Every show is different and has a different flavour to it. I have to run things by my director before I try different voices or jokes, but generally there's particular moments in the show where I can play. 

Your Mrs Doubtfire costume is amazing - and you have a couple of very quick costume changes, where Mrs D actually appears before the audience’s eyes! What’s it like wearing it?

She’s well dressed, isn't she, for a jobbing nanny? Some of the outfits look like they come from Ascot or the golf course - they're wonderful! I've got to wear body padding, to change the shape of my body, and that is hot! We got air conditioning in the building about a year into the run - that was very welcome - but I'm sweating bucket loads in there. 

There’s at least three people for those quick changes. It's like being in a car crash! It's part of the fun… It's got more relaxed than at the beginning - it was frantic. The zippers were breaking, and the more you panic, the slower you go - now I'm quite calm.

They're fast - there's about 28 changes I think - especially the restaurant scene. The audience gets to see half these changes. That's the fun, they’re ‘in on’ the mechanics - they're in on the joke - and it’s fun for everyone to see.

You’ve got some big shoes to fill, following in the footsteps of Robin Williams. Did you feel the pressure? What was it like creating your own version of the role?

I caved under the pressure! No… He was born the same year as my dad, and he's got such a great screen presence, he almost feels like a parent - someone you can really trust. There’s such a lovely energy from that man. I learned a lot of comedy from watching people like him, Steve Martin and Jim Carrey - there's a lot of Jim Carrey in what I do. You kind of borrow from these people, and then bring your own thing to it. I always say I'm standing on his shoulders, rather than in his shoes. I feel free with it. I don't feel shackled by it - and it's not really him, it's this character that he created. She's more like Dame Edna Everage - she has her own energy. She's naughty, she can say things that people wouldn't be able to say. 

The Daniel that I do is probably not very like Robin - he's got this round moon face and I don't - that's what makes the transformation even more fun, because I think the mask really changes the way I look, and that makes the change even more interesting. I've got that same zany energy that he has, and I do love playing. You watch Robin Williams, and it's just playfulness all the time - Good Morning Vietnam, Hook… 

The show is a musical, so as well as acting and dancing, your voice gets a workout as well! Do you have a favourite song in the show - to sing or to listen to?

Make Me A Woman's a pretty great number - that's a big disco number, all the dancing in that is fantastic. I actually don’t do very much in it - that's when I'm getting changed in the first big reveal - but the company just goes mad, doing the splits… I love that one, and I love the one with my daughter at the end. That it was a cut scene from the movie, it actually does exist. Daniel’s saying to her that the love you have for your children is different from the love for a partner - that it can never be severed and it can never end. They sing this ode to each other, My Love For You Will Never End, that's such a tender moment. I think it’s really important for kids and parents to hear, that's the great strength of it. 

You’re a dad yourself, which is a huge part of Daniel’s character. Do you think that has informed your performance?

It's very hard to say. Actors are actors, and they can pretend to have all sorts of things happen to them… I certainly think that I understand the character so well. He stands in the courtroom at the beginning and says “How can I not be there for my kids?” I understand that feeling. I've been doing this show for a long time, and it does stop you seeing the ones that you love. I'd like to think it gives that depth. 

Why is this still a wonderful family show, 30 years after the film’s release?

Great stories that endure have heart. You can have a very funny story, but if there's no meaning to it, it doesn't resonate so much… This is a very, very silly film, with a really important message. How far would you go to be with your family? What is family? And what does it mean when it's not conventional - when your parents split up, how does that feel? 

It's done in such a loving and funny way that it's palatable - it's not a dark film. I've had so many messages and letters about people who are single parents, or kids who have grown up like this - everybody has a story. Everybody seems to resonate with what it's like to go through a family break-up, or to witness that. These people, they're just trying to do their best to be with the ones that they love.

Fans of the film will be pleased to see lots of classic moments on stage. But what’s special about seeing the show live?

I mean, the pie in the face - why else do you go to the theatre? I sometimes stand there with a pie on my face and go “It's not Shakespeare, is it?” Last night it was a perfect pie - it went on and had a little drippy bit, and it went straight in the cup! I took a bit of licence there, I did say “Ooh, one lump or two?” That isn't in the script - if it happens the audience loves it! 

There's the vacuum cleaner dance, the restaurant scene… but there are some surprises. You'll see her modeling sportswear - that's not in the film! It's not just a carbon copy of the film. You get to see those favorite moments, but you also get some surprises - and of course, a completely new, original score, which is great. 

Boobs on fire - how could we not? Smoking boobs - that's a must-see. People love that. There’s classic moments, so it feels comforting, but it also feels new. It's been updated, it's got the internet - it has been modernized... She’s the Wi-Fi Queen! It's got to be relevant to kids now. It's lovely that she's got some understanding of the technological world, and cultural references. She is a pretty streetwise granny - which is part of the fun of that character!