Stafford Gatehouse presents another high-drama Shakespeare production - Richard III, the Bard’s ‘war of the roses’ tragedy, in which a Machiavellian Richard makes his way to the English throne by way of diabolical lies, manipulation, and brutal murder. The character is also, at times, charismatic and persuasive. Richard proclaims in his opening speech that he is “determined to prove a villain” - which he undoubtedly does, but his villany is as often found in charming those around him as it is enacting violence.

As such, Richard is a ‘bucket list’ role for many performers - one which actor Matthew Duckett takes on with aplomb. From his opening lines, it was clear that the audience was in for a treat. Duckett brings out the part’s comedic moments, as a delighted Richard can barely believe that he is getting away with his schemes. However, as the play progresses, his actions begin to catch up with him…

The play is directed by Richard Cheshire, with impressive set design by Patrick Connellan - both of them worked on the Gatehouse’s last Shakespearean offering, 2025’s Hamlet. Cheshire has set Richard III in a post-war pub, reminiscent of the Peaky Blinders, and Connellan’s set and costumes fit the brief exactly, with gloomy, derelict brick beneath an ominous pub sign (‘The Crown’). The theme is rather surface level, but the aesthetic is certainly effective. 

Several cast members have also returned after last year’s production - including Hamlet himself, Benedict Shaw, who this year plays both the ill-fated Clarence and murderous Tyrell. Other stand-out performances include Geraint Rhys Edwards as Catesby, who becomes Richard’s right-hand-man and Michael Skellern as the ambitious Buckingham, who tactically drums up support for Richard from the country’s citizens.

The play features several strong female characters, spanning generations and each individually wronged by Richard. Lady Anne (Lucinda Freeburn) is, in an opening scene, wooed by Richard, even as he takes responsibility for the murder of her husband and father - the epitome of Richard’s combined charm and brutality, and expertly performed by both actors. 

One of the major successes of the production is the cinematic, crowd-pleasing style - the show is visually impressive, and Duckett’s performance is engaging, pulling in the audience to watch the king’s downfall. The play’s violent acts walk the line between chilling and cartoonish - culminating in a bold, enjoyable production with some great performances and a flair for the dramatic. Catch it while you can!

Five Stars

Richard III was reviewed on Thursday 25 June by Jessica Clixby at the Stafford Gatehouse, where it shows until Saturday 4 July