Life can change in the flick of a feather boa...

Christina Aguilera not only provides powerhouse songs for this acclaimed and relatively new musical but also executive-produces it. The story focuses on the character of small-town dreamer Ali Rose, whose New York-located search for her biological mother sees her stumbling into the surprisingly cut-throat world of burlesque. 


Based on the hit 2010 movie of the same name, which co-starred Aguilera and Cher, the show has made a significant splash in the West End and stops off in Birmingham as part of its first UK tour.

Packed with sultry dance routines, positively glittering with showbiz glamour, and fresh from making its West End debut last year, Burlesque The Musical has now embarked on its first-ever UK tour. The hit stage show is based on the 2010 film of the same name starring Christina Aguilera and Cher, the latter of whom played the part of Tess, the owner of a struggling burlesque club.

Musical theatre afficionado and one-time Corrie actress Faye Brookes has stepped into Tess’ bedazzled heels for the touring show and is really relishing the challenge of playing such a formidable character - as she explains to What’s On...

Based on the hit 2010 movie starring Cher and Christina Aguilera, and set in the dazzlingly sequined confines of a glamorous New York nightclub, Burlesque has now found its natural home on stage.
For Faye Brookes, who plays nightclub owner Tess in the production’s first UK tour, the film represented a new way to appreciate the magic of musical theatre.

“When the film came out, it was ahead of its time - I felt like it was already a cult classic,” Faye told What’s On. “As a musical theatre girl, I was just mesmerised by these characters - I fell in love with musical theatre all over again when I watched Burlesque.”

The hit show follows small-town singer Ali Rose as she searches for her biological mother and makes a splash on stage at the Burlesque Lounge, a financially struggling nightclub owned by Tess.

“Tess has a real emotional arc, and I go on a rollercoaster throughout the entire musical,” says Faye.

“There’s something in Tess that’s in all of us. Whether that’s trying to make a business work, whether that’s trying to survive being a human - trying to do well at her job, and trying to make sure that everybody around her is good. That’s basically what a mother does, putting everyone else’s needs before her own. Also, knowing that she has this legacy on her shoulders - that this was her mother’s club, this was her grandmother’s club, this was her great grandmother’s club… That pressure on Tess is definitely a burden but also a blessing, and you start to see the cracks throughout the show.

“I’m embracing Tess in a way that I’ve never done with a character before. She’s older, she’s wiser, she’s a boss - she walks into a room and owns it! There’s no messing with her. I’m really enjoying that element of the character, because in my previous roles, I’ve probably played the likes of Ali, where I’m a doe-eyed, princess-like [character] who’s discovering myself. Tess isn’t that. So for the first time ever, I’m really stepping into a new era - really embracing the stronger female role.”

Faye has also found that the on-stage family spirit of Burlesque has transferred to the rehearsal room - as has the protective and supportive nature of her character.

“Hands down, I’ve never worked with such a beautiful company before. I was really proud, from the moment that I met them, to see their talent, to watch their confidence grow and blossom as individuals, and then to take on whatever we have faced, keep rising, and to keep showing up for one another. We’ve finally got to a place where our show is being praised - five-star reviews. Everybody’s come together daily, to be this family and to look at one another and to truly love and respect one another. There’s no cattiness, there’s no divide. We are one, and I think it’s so beautiful. I’m getting emotional just talking about it. I’m just really proud of them. I’m in a different place in my life, where I’m not only taking on the role of ‘mother hen’, I’m [actually] being mother hen to them.”

The production has now embarked on a national tour, which continues until next May. It stops off at Birmingham theatre The Alexandra this month, then returns to the Midlands in 2027 with a visit to the Wolverhampton Grand. Faye has a well-practised routine as she travels between cities - although she’s pleased to be accompanied by a furry friend...

“It helps that I’ve got my dog touring with me. Even though I have four dogs, Bao has been my shadow from day one. He toured with me in Chicago, and my other dogs are happy to be at home with my husband. So Bao is like a bit of an emotional support for me. He gets me up as well - wherever we’re staying, he gets me out. That routine is good, because then I get fresh air and I get to exercise other than dancing and working out in a gym. I have my little routine of supplements and skincare, and whatever I use on tour, that’s usually what I use at home - I swear by it. I’m just sat in my LED mask with my dog and a matcha - if I can do all the things that I love to do, then I show up a happier human at the theatre, and then I can just be Tess, the baddest bitch ever!”

Faye has long been a fan of musical theatre, but she still has one role which she would love to add to her CV - and her love of the part goes right back to her theatrical roots.

“I would love to be Audrey in Little Shop Of Horrors. It’s been a dream role of mine since I was at high school and one of the backing dancers. My best friend played the dentist, and we both sat there like, ‘God, it would be amazing to do this professionally.’ We were 14… I’m trying not to put too much pressure on myself to play that role, because with a dream comes pressure, and then it becomes unreachable. If I get to play the part, it will be a chapter of my life that will be pure joy, because it’s one of my favourite musicals. I’m just going to put that out to the universe and see what happens!”

Back to Burlesque. The soundtrack boasts hits written by the likes of Christina Aguilera, Sia, and Todrick Hall, but even with a selection of audio treats throughout the show, Faye can’t help but choose Tess’ big number, You Haven’t Seen The Last Of Me, as her favourite musical moment in the production.

“Diane Warren, thank you so much for that ballad!” she says. “There are too many good songs in this show. Too many. I Got It All From You, which Ali sings, is another beautiful ballad. And I love when the boys sing Natalie - I feel like I’m back to being a teenage girl, and I’ve got *NSYNC posters on my wall! I get transported to that era. There’s something for everybody.”

Burlesque shows at The Alexandra,  Birmingham, from Tuesday 6 to Saturday 17 October. It then returns to the region in 2027, showing at Wolverhampton Grand Theatre from Tuesday 6 to Saturday 10 April

By Jessica Clixby


on Wed, 23 Sep 2026

Based on the 2010 film of the same name starring Cher and Christina Aguilera - and following a West End run in 2025 - the stage musical version of Burlesque is currently on an extensive UK tour and stopping off at The Alexandra this week.

Presented alongside new tracks by Todrick Hall and Jess Folley, the show features songs by Sia, Diane Warren and Christina Aguilera, the latter of whom is also executive producer.

For those not in the know, the musical follows small-town girl Ali Rose, who travels to New York in search of her mother. Along the way she finds friends, she finds love, and she finds a home dancing and singing at a struggling burlesque lounge, achieving success beyond her wildest dreams whilst also saving the club from financial ruin.

The storyline isn’t complex, and you don’t need to be familiar with the film to enjoy this extravaganza of a show. Expect to be blown away by the sensational lead vocals, particularly from Gracie O’Brien as Ali, Faye Brookes as Tess, and Ryan Carter as Sean. All three have a huge stage presence and consistently deliver massively demanding vocal performances, all of which are made even more enjoyable by accompaniment from live musicians.

The choreography is simply breathtaking. One of the show’s many highlights is watching the ensemble perform routines with incredible precision. The dancers don’t simply support the principal performers, they are an essential part of what makes this show such a thrilling experience. Their confidence and immense energy make even the most technically demanding routines look effortless. The whole cast are marvellous, maintaining a remarkable level of intensity throughout the entire performance.

This is a massive production replete with full-on glitz and glamour. Its seductive and sensual appeal is greatly enhanced by the provocative and attention-grabbing costumes. The corsets and sequins - exaggerating hour-glass silhouettes - are beautifully designed to catch the stage lighting and stir the imagination.

If you enjoy exhilarating, high-energy productions filled with powerhouse vocals, dazzling choreography, and spectacular stage craft - including clever lighting and technical elements - then this is a show well worth an evening of your time. There was certainly a rapturous response from the audience last night, many of whom I suspect, just like me, travelled home singing a selection of songs from the pop-driven soundtrack.

Five stars

Burlesque The Musical was reviewed by Sue Hull on Tuesday 6 October at The Alexandra, Birmingham, where it shows until Saturday. It returns to the Midlands next year at the Wolverhampton Grand Theatre, from Tuesday 6 to Saturday 10 April.


5 Stars on Wed, 07 Oct 2026

The Regent Theatre’s autumn season got off to a great start last night with the much anticipated staging of Burlesque The Musical.  Written by Steve Antin - who also wrote the original film score, and directed by Racky Plews - Burlesque is a feast of a show filled with drama, musical mastery, glamour and theatrical pzazz!

Currently touring the UK,  Burlesque takes the original film script to a whole new level as audiences are immersed into the sexy and steamy world of New York’s underground club scene.

A world full of enticing music and mesmerising dance routines, coupled with scintillating costumes and personal narratives, the show lures you into a world of love and lust, joy and darkness whilst set to a phenomenal musical score written by, amongst others, Christina Aguilera and Sia.

The creative element is impressive from the outset with dazzling sumptuous costumes, wonderful staging and sensational lighting recreating the ambience of a New York Burlesque club where residents are entertained and the performers are candid with their personal lives.

It’s here that we get to meet Ali, a gospel singing girl from Iowa who journey to find her real mother takes her to a place she would never have imagined existed, yet alone be part of.  Grace O’Brien is outstanding in the lead role. Her vocals and ability to seamlessly weave small town country girl with sexy city showgirl is truly engaging and very convincing.  Ali’s tale of self-discovery and heartfelt reconciliation is as impressive as the original role played by Christine Aguilera in the 2010 film. It has however been updated and has now evolved into a more modern storyline.  The musical has new adaptations to the original film which may not fit well with purists. That said, it does retain the same powerful impact, even with extensive plot alterations.

Burlesque is choc full of wonderful numbers including beautiful and memorable emotional ballads, as well as the hard-hitting numbers recognisable to most.  The power hitting role of Tess is played by the charismatic and hugely talented Faye Brookes. She is fabulous in the role of a tough club owner with a soft heart. The relationship between Tess and Ali is very engaging to watch, and the two women have real stage presence. The developing love story between Ali and Jack, played Tyler Davies, is another compelling element to story.

A big shout out also needs to go to Ryan Carter who gives a riveting performance in the role of Sean.  He is sensational as the lynchpin of the club - host, friend, reality checker - and also the compere of the production. Vanessa Ela Young as Nikki is stunning and a dream to watch, whilst the ghastly role of Vince is wonderfully portrayed with appropriate menace and emotional narcissistic charm by Davide Fienauri. The show’s ensemble is glorious and the dance routines are performed with the professionalism you would expect from such a top production.

Burlesque is everything a good musical should be - seductively engaging, emotionally expressive and visually tantalising. A sensational powerhouse of a show!

5 Stars

Reviewed by Carol Lovatt at The Regent Theatre, Stoke-on-Trent. Burlesque The Musical continues to show at the venue until Saturday 29 August. Burlesque then returns to the Midlands to play The Alexandra, Birmingham, from Tuesday 6 to Saturday 17 October and Wolverhampton Grand Theatre from Tuesday 6 to Saturday 10 April 2027 


5 Stars on Thu, 27 Aug 2026

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